Her fight takes the form of a refusal to use many elements of film grammar in traditional ways (which is different than simply not using them) because she is primarily interested in inducing in her viewers the sensation of a difference between her films and their worlds, or, in any case, in preventing us from relating to her cinema through a perceptual mode that would allow us to take comfort in the impression that we already know and understand an image because we recognize it from a few seconds earlier.//Abel M. The Counter-Cinema of the Berlin School[M]. Boydell & Brewer, 2013:128.
我喝*茶不加*
说实话,那个脸出来我确实被吓了一下
YiQiao
Her fight takes the form of a refusal to use many elements of film grammar in traditional ways (which is different than simply not using them) because she is primarily interested in inducing in her viewers the sensation of a difference between her films and their worlds, or, in any case, in preventing us from relating to her cinema through a perceptual mode that would allow us to take comfort in the impression that we already know and understand an image because we recognize it from a few seconds earlier.//Abel M. The Counter-Cinema of the Berlin School[M]. Boydell & Brewer, 2013:128.
两只青蛙跳下锅
看得出来夏娜莱克很不想回家,但她却想让我们住进去,坏蛋!
星际密探
发呆时候脑袋里的内容物 突然的抽离 实际上很平静了
louis
原来夏娜的风格这么早就形成了吗?最开始看夏娜莱克是她的《午后》,那时候觉得好无聊啊,真难看下去啊。看了几部之后,反而能够欣赏到她对时间、对个体的尊重。人与人之间的生活,本来就可能根本不相交。